Submit to my site.

Here’s a new thing. If you have an essay on literature, philosophy or music that you’d like to publish on my site, you are now welcome to submit it through Submishmash, by following this link: http://pajourdan.submishmash.com

Create an account, upload the document you want me to have a look at, and if you haven’t heard from me in three or four days, just assume it’s been declined.

I’m not looking for fiction or poetry at the moment; just essays. However, if you are a musician and want me to host a song of yours for free download on my site, I’ll be happy to have a listen and see. Just submit an mp3 file using the same link http://pajourdan.submishmash.com

Please send a brief bio (100 words or so) so that I can know who I’m dealing with.

You will NOT be paid for this. This is just a chance for you to have your essay or music posted somewhere with semi-regular visitors. You can ask me to withdraw your essay at any time, and the same goes for your song.

In particular, I’m looking for essays on philosophy, the craft of writing, and book reviews. Musically I prefer rock, electronica, IDM, and folk. But I’ll give it all a listen, I promise.

“Victimized” by Richard Thomas now available as an “eSingle”

I’ve been watching Richard Thomas’s writing career take off for a few years, so it’s good to see that he’s getting published in all sorts of places now. His latest story is being released as an “e-Single” — a concept I quite like. You can check out his work electronically here:

Amazon: http://www.amazon.com/Victimized-ebook/dp/B004QS98VO (for Kindle)
Smashwords: https://www.smashwords.com/books/view/51495 (for Nook and everything else)

My breakdown of online responses to Radiohead’s new album.

There are a few types.

Type A: “OMG I LOVE RADIOHEAD AND THIS ALBUM SUX….. WTF DID THEY DO??!? THE USED TO BE SO GUD…”

Type B: “stfu, haters… you dont know gud music if it sat on ur face… this album is amazing and in my HUMBLE opinion if you dont like it…. go listen 2 lady Gaga.”

Type C: “This isn’t the real album. This is a teaser. There will be more tracks released, you’ll see.”

Type D: “visit free porn here www.ilovetospamwithpornlinkslol.gz”

Type E: “not as gd as there older stuff but then again theyre getting pretty old now, thom needs to retire while the going’s gd”

Type F: “Who is Arcade Fire? How did they win the grammy??????”

Type G: “Lol, wrong forum noob. this is the radiohead forum….. i hav 2 say, it’s a decent album but not there best”

Type H: “Guys, my frend knows Thom Yorke, and he says this ablum is actualy only half of what fans will get…. check and see….”

Type I: “holy hell! ur friend noes thom?????”

Type J: “Fuckin idiot… of course his friend doesnt know Thom. LOL ppl can be so gullable.”

Type K: “Does anyone speak English on this fucking forum?”

The Paris and the Hiltons Project: new album coming soon

A perk of living with a sound geek is that you pick up useful tricks just watching him mess around with instruments and gadgets.

Not very many months ago I decided to work on a Paris and the Hiltons album that would sound good instead of just decent. Living with Sam (my Gecko buddy) has been a useful thing in many ways, but especially when it comes to learning how to mix tracks and get a desired sound. Sam breathes this stuff, so I can’t help but be influenced by his techniques.

The work on my second full-length album has been far more intense than it was the first time around. The production side of this stuff requires concentration. Whereas the first album was rushed and ended up sounding pretty poor (even if the music was occasionally interesting), this one will be at least listenable. It’ll be far from perfect — I have a thousand things to learn still — but, I hope, there won’t be too much cringing when I listen to this upcoming album a year from now.

I am discontinuing sales of the first album for good. Nobody should have to pay for that mess. Once I’ve had this second one mastered, I’ll make it available for free as well as on iTunes, for anyone who wishes to support the Paris and the Hiltons project.

The tentative title for this album is “Prettyface Tinybruise”. Maybe “Pretty Face Tiny Bruise” or maybe nothing to do with faces or bruises whatsoever.

Check out music from Dawn of the Gecko

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Dr Fred Durst and the crisis of the political

I owe my discovery of Dr Fred Durst’s philosophical work (which he has published mainly under the moniker The Limb Bizkits, often erroneously rendered as Limb Bizkit) to a seldom-cited theologian working in Montana, Bob N. Togethanau. While I appreciate Professor Togethanau’s scholarly interest in The Limb Bizkits, I feel that he’s missed the point on several crucial (and extremely subtle) matters. While Professor Togethanau deserves praise for opening up the field of Dr Fred Durst Studies, I believe a new direction is needed if this field is to progress.

I propose a different way of reading Dr Durst’s lyrics, one which is not bound up with religious interpretation. Through careful examination of Dr Durst’s songs “Nookie” and “Take a Look Around”, I have found that Dr Durst’s familiarity with central psychoanalytical and philosophical concepts shines through in almost every line; his fans have so far tried to change the world through his music, but the point, to paraphrase Marx, is to interpret the music. Only by deciphering the lyrics can we fully appreciate the intricacies of Durstian poetry.

While I don’t have the time at present to explore the entirety of Dr Durst’s prolific output, I want to lay out what I think is the most appropriate way to read his lyrics. I want, in particular, to prove that Dr Durst is dealing with highly abstract Lacanian, Mouffian, Hegelian, Kierkegaardian and Marxist concepts, which he cleverly hides under provocative profanity and sexual explicitness — no doubt this is his way of influencing what leftists have problematically called “the masses” without intimidating them.

Take, for example, the classic song-treatise, “Nookie”… Dr Durst’s purported aim here is to expose a former lover’s infidelities. Of course, this is only a pretext for engaging in extremely subtle micro-analyses of ideological “givens”.

“I came into this world as a reject,” Dr Durst proclaims in the song’s opening line. At once we are reminded of symbolic castration as formulated by Jacques Lacan. To enter the “world” — that is, to become a player in the intersubjective game the rules of which are inseparable from language as such — involves a rejection of jouissance, of primordial enjoyment which gives us our ontological substance. What Dr Durst is giving us, here, is a way into his philosophical system as a whole, acknowledging his debt to Heideggerian existentialism and structural psychoanalysis.

“Dwellin’ on the past / It’s burnin’ in my brain / Everyone that burns has to learn from the pain,” Dr Durst continues. Though this could be interpreted in almost infinite ways, I believe the most fruitful way to read this involves seeing it as an explanation of Dr Durst’s political stance. To dwell on the past causes “burning” in the brain — could there be a more obvious indictment of political conservatism, which forever looks to the past, and whose “hot-headed” American representatives (I am thinking in particular of Ann Coulter and Glenn Beck) always seem slightly brain-fried from all the yelling they do at the cameras? What Dr Durst seems to be saying is that it is time for conservative pundits to “learn from the pain” of having been defeated by the obvious Stalinist Barack Obama — they have to deal with it and find new ways to promote the conservative cause.

Nevertheless, Dr Durst introduces a layer of ambiguity in his political analysis. “Should i be feelin’ bad? / Should i be feelin’ good? / It’s kinda sad I’m the laughing stock of the neighbourhood,” he writes. So far he seems to be portraying the conservatives as clownishly as he can; it is not the “wishy-washy” liberals that he condemns for their lack of conviction, but the conservatives — they don’t know what they want, Dr Durst is saying — do Mexicans steal all available jobs in the United States, or are they lazy, jobless bums? Yet he goes on to write: “I’m a sucker like I said / fucked up in the head — not!” What is that “not” doing there? Is Dr Durst deliberately contradicting himself in order to mask his position on the issue of conservatism, or is he doing something sneakier, something of the most astonishing brilliance presented as childish humour — looking for redeeming qualities in the conservative party, adopting the liberal voice in “I’m a sucker like I said / fucked up in the head” only to counter this with the most universal signifier of negativity, “No(t)”? Is Dr Durst urging for a dialectical reversal here, by appealing to the human capacity for negativity in the search for something hidden in the fabric of conservative rhetoric which would both destroy and save conservatism itself — in other words, by having “I’m a sucker like I said” and “Not!” in the same line, is Dr Durst trying to show that only American leftism, with its power to take a stance only to reject it later(something conservatism has never been known to do) can allow for American conservatism to triumph and develop in unprecedented ways?

This is a complicated argument, and warrants an unknotting of ideas. What Dr Durst is implying is that up until this point in US politics, conservative pundits have drawn their strength from the denial of every single liberal proposition ever put forward. When gay marriage is “promoted” by the left, the right at once attacks the very idea as un-American, and so forth. That is the first meaning of the “Not!” in Dr Durst’s lyrics. If one party says “I’m a sucker” the other party immediately says “No!” But of course this is ridiculous; surely a conservative would actively hope for a distracted liberal to admit that she was a “sucker”. Yet such is the state of politics in America that the task of the politician is to contradict his opponent, not to defeat him. The second meaning of the “No(t)!” in Dr Durst’s line is a condemnation of this state of affairs. He is saying: “No, you are not a sucker! No, you do not need to have a urination contest with your political opponents.”

But the most important “No!” in Dr Durst’s line is in fact a solution to the deadlock of democratic politics. Just as he referred to Lacan’s idea of symbolic castration earlier, that is, the abandoning of jouissance as a precondition for entry into the intersubjective realm, Dr Durst is now asking for a new kind of castration: political castration, that is, the rejection of the enjoyable kick that politicians get from slandering their opponents. Where proposition X (e.g. “I’m a sucker”) would typically be countered with its negation in political discourse (“You are NOT a sucker”), the “No!” flowing from Dr Durst’s pen is in fact a rejection of the entire system we have been discussing. If the conservative pundit would only cease to oppose the liberal, and instead focus on finding original arguments for conservative causes, a new kind of agonistic pluralism might emerge in the political field, one which would allow for real clashes of opinion rather than simple negations of previously proclaimed statements.

Dr Durst, who is famously left-wing on most issues, is paradoxically asking the conservative mentality to strengthen itself so that the left may at last have a worthwhile enemy, and vice-versa. Earlier I wrote that Dr Durst is arguing that only leftism “can allow for American conservatism to triumph and develop in unprecedented ways”. This does not mean that Dr Durst is actively trying to get the conservatives to triumph; what it does mean is that Dr Durst longs for the day that conservatism might actually pose a serious threat to Obama’s communism, so that politics itself can be revived as a serious thing. This is the dialectical process necessary for the political field to be reborn: each party must accept that simply disagreeing with the enemy is not enough, and that there is a mutual interdependence in their relationship which cannot be eradicated through the balancing act created by “just saying no” to whatever your opponent says. Each party needs the other for its own identity, but that does not mean that the most fruitful way to individuality is by screaming “No! No! No!” to anything a liberal or conservative says. It would be much more productive for this system to be discarded altogether — we need a “return of the political”, as Chantal Mouffe puts it; that is, we need to accept that there are some disagreements which cannot be resolved, and a “centrification” of politics is not an acceptable remedy for this irremediable situation.

Dr Durst’s most famous line (“I did it all for the nookie! Come on! The nookie! Come on!”) points to a new kind of jouissance to be found in politics: the bliss of putting up with “constant shit” (this “shit”, of course, refers to the tribulations of having any kind of political presence) in order to arrive at a a different conception of the role of politics itself. To say that one is “in it for the nookie” is to be optimistic about the future of politics. Dr Durst is no gloom-and-doom prophet. He wants to see a shift in the way the social sphere operates; and for that, it is necessary to stop with all the shit and actively develop an original, idiosyncratic political stance which does not merely contradict another political stance.

I will return to this topic some other time; I do hope that I have at least partially shown the relevance of Dr Durst’s poetry to academic fields like politics and philosophy. The importance of the Limb Bizkits is easy to overlook in our current anti-intellectual climate; with some luck, I will prove myself competent enough to promote Dr Durst’s lyrical accomplishments as a new way of viewing the role of philosophy in the modern world.

Can we forget Zizek now, please?

It’s time to forget Zizek — the man, not his work. The growing fascination with the unusual philosopher’s little quirks — the nervous tics, the baggy clothes, and whatever else the newspapers focus on when profiling him — is becoming boring, and it distracts us from what matters: Zizek’s books (especially, to my mind, the early ones) are important, useful, and necessary. It hardly matters what his personal pathology is.

Zizek’s own website — which is clearly not run by Zizek himself — follows the trend:

the maverick philosopher, author of over 30 books and acclaimed as the ‘Elvis of cultural theory’, is today’s most controversial public intellectual.

It isn’t enough to yawn. Zizek may well be the Elvis of cultural theory, but that’s irrelevant. Reading him because he’s today’s most controversial public intellectual means not reading him at all. The emphasis placed on his personality takes away from the seriousness of what he’s doing, and that seriousness will be found in the books, not in the television interviews and the chummy documentaries made about him. He keeps socks in his kitchen drawers — so what? He also brought Lacan back to the public’s attention, and has tried for two decades to revitalise interest in Hegel. He’s changed the way we think about ideology. He’s made it easier to speak about politically taboo subjects, such as the notion of “totalitarianism” and “revolution”. Even if you don’t want a revolution, you’d be deluding yourself if you thought that our refusal even to speak the word wasn’t symptomatic of something.

No doubt Zizek himself doesn’t help his cause with all the interviews, media appearances and political provocations. I suspect part of it is to do with pressure from his publishers, but even if it isn’t, Zizek is partly to blame. But, again, so what? Read the books, ignore the man — charming and hilarious though he seems to be.

 

New Robbert Veen article up on hegelcourses.com — Substance and Subject

A-a-and that’s not all there is to say about it, but Robbert is, as usual, exemplary in his approach.

Here’s the first paragraph:

It is obvious that philosophy in our day and age is focused on the problem of subjectivity.  It is interesting to see the various philosophical approaches not only shared this theme, but  that we can discern also a common attitude towards the problem.

One of my teachers wrote in 2000:

It is a fact that our natural interest in philosophy, art and theology is massively progressing toward an immediate approach.1)

Nowadays philosophy has become more interested in the immediate, what can be described in a concrete manner, or attaches itself to the normal identity of the subject. This seems to be a focus on the process of our concrete subjective development in which the social dimension has become of primary importance.  One of the presuppositions of this common approach with its emphasis on the immediate, is the presupposition of a so-called direct and unmediated relation to the objective nature of reality.  The opening chapter of Hegel’s phenomenology, the chapter on sense certainty, has become once again a paradigm of philosophical method, at least as an expression of this metaphysical presupposition.

http://www.hegelcourses.com/substance-as-subject/

Jose Luis Peixoto, Michael Hulse and me

If you click here you will be led to a tiny back-and-forth between the poet and translator, Michael Hulse (whom I consider a friend, a mentor and, especially, one of those good human beings) and Claire Trévien, who runs Sabotage.

In there you’ll find Michael praising Jose Luis Peixoto, whose first text, Morreste-me, I translated into English for the Warwick Review. He also praises the translator — but not for my translation, which would have been nice enough, but for my own writing — which pleases me very much:

I particularly want to say that I owe my “discovery” of Peixoto to my student Phil Jourdan, who’s himself rapidly becoming a writer whose worth will be of interest to more than his tutors and peers.

I would love to mention many things I like about Michael’s own writing (his poetry moves me enormously, something I can’t say for most poetry) and about his character, but I think the best thing to do is to accept the compliment and produce the kind of writing he will continue to praise.

I take him seriously, and he has shown that he takes me seriously. This is gratifying and I feel little else needs to be said at this point.

Short Q&A session on Hegel over at hegelcourses.com

A little question and answer session that I conducted with Robbert Veen for Hegel Courses Online is now up.

Here’s the first part of the exchange. If you are interested, check out the rest of the site; Robbert’s putting a lot of effort into it.

The master-slave dialectic is one of the most famous passages from Hegel’s Phenomenology, but it’s only one stage in the development of consciousness. Can we quickly sum up how Hegel arrives at this point in his phenomenology?

Yes and no, would be the correct answer I suppose. No, because you cannot really “sum up” anything when dealing with a philosophy like Hegel’s. His method has very strict demands! Everything has to be demonstrated, shown, in order for the reasoning to be clear in itself – that doesn’t mean easy to follow – and scientifically valid.

But yes, if you understand that such a summary would just be a reminder of the train of thought that had to go into it to achieve this result.

And the master-slave dialectic is both a result and a new starting point.

So what has been going on?

First, Hegel demonstrated that a metaphysical theory of knowledge that takes the object as something that is absolutely ‘present’ and does not accept any interference from the subject, collapses because of the weight of its inner contradictions.

Second, the resulting mode of consciousness mediates subject and object. Perception is like that: something is given, but the forms and shapes that we recognise to be ‘out there’ in the world, are at the same time our inner images and conceptions.

Third, consciousness knows the world to be a complex whole of universals and instances, the most important of which are laws and forces. At the same time, this whole world is nothing but an ‘inner world’ because forces and laws are never simply simply given, they are concepts. So we get a consciousness that is subject – laws and concepts – and object – world of forces and laws.

This ‘doubling’ of the object of consciousness is not satisfactory. Consciousness would be simply going back and forth between two different perspectives. Taking the world as objective reality one time and then accepting that same world as inner construction at another moment. Constant transition between the two!

What happens, if consciousness becomes aware of this duplicity? It becomes a consciousness of itself as consciousness. And that has two major elements: OF ITSELF – implying identity, being-for-itself, the element of Lordship. AS CONSCIOUSNESS – implying mediation, connection to something OTHER. And that equals empirical consciousness or the slave.

Now did this help? If you already know what the real development is all about, it probably did. But if you did not, it’s mere gibberish. That’s the problem with these summaries.